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	<title>MAD Blog &#187; curators</title>
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	<description>Arts and Design Education for the Masses</description>
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		<title>The Content of Design</title>
		<link>http://www.madblog.org/2010/02/the-content-of-design/</link>
		<comments>http://www.madblog.org/2010/02/the-content-of-design/#comments</comments>
		<pubDate>Thu, 18 Feb 2010 21:09:56 +0000</pubDate>
		<dc:creator>lowery</dc:creator>
				<category><![CDATA[curators]]></category>
		<category><![CDATA[the global africa project]]></category>

		<guid isPermaLink="false">http://www.madblog.org/?p=2626</guid>
		<description><![CDATA[On Monday February 1, 2010 I ventured into the Javits Center here in New York City in the midst of the International Gift Fair. I was on a mission. I was meeting with<a href="http://www.farafina-tigne.com/home.html"> Oumar Cisse (AKA Peace Corps Baba)</a> from Mopti, Mali.]]></description>
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		<slash:comments>0</slash:comments>
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		<title>What was the Studio Craft Movement, anyway?</title>
		<link>http://www.madblog.org/2010/02/what-was-the-studio-craft-movement-anyway/</link>
		<comments>http://www.madblog.org/2010/02/what-was-the-studio-craft-movement-anyway/#comments</comments>
		<pubDate>Wed, 17 Feb 2010 15:58:06 +0000</pubDate>
		<dc:creator>JenScan</dc:creator>
				<category><![CDATA[curators]]></category>
		<category><![CDATA[mad collection]]></category>
		<category><![CDATA[making it real]]></category>

		<guid isPermaLink="false">http://www.madblog.org/?p=2579</guid>
		<description><![CDATA[A <a title="recent comment" href="http://www.madblog.org/2010/01/making-it-real-with-robert/#comments" target="_blank">recent comment on the “Making It Real” blog </a>was “What is the <em>Making it Real</em> exhibition about and when will it take place?” The short answer is: <em>Making it Real</em> will be at MAD from October 12, 2011, until January 15, 2012, and will look at the emergence of the American Studio Craft Movement in the period after World War II. But that begs the question—what was the studio craft movement? So today’s blog is a (short, I promise) history lesson about how and why crafts went from being a necessity to being a choice. Along the way, I will also explain how we came up with the title.
]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Making It Real with Robert</title>
		<link>http://www.madblog.org/2010/01/making-it-real-with-robert/</link>
		<comments>http://www.madblog.org/2010/01/making-it-real-with-robert/#comments</comments>
		<pubDate>Mon, 11 Jan 2010 19:40:48 +0000</pubDate>
		<dc:creator>JenScan</dc:creator>
				<category><![CDATA[curators]]></category>
		<category><![CDATA[making it real]]></category>

		<guid isPermaLink="false">http://www.madblog.org/?p=2383</guid>
		<description><![CDATA[As you may have heard, Robert, MAD’s fabulous new restaurant with its spectacular view of Columbus Circle, has finally opened. You may not know that the restaurant is named after Robert Isabell, the famed events planner involved in the project who died unexpectedly in 2009. In reading articles about his death in the New York Times , and later information about the auction of his property at Sotheby’s, we realized another link we had with Robert—he loved many of the artists that we are including in <em>Making It Real</em>.

]]></description>
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		<slash:comments>2</slash:comments>
		</item>
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		<title>The YA/YA group designs sets for production of “Peter and the Wolf” at the Guggenheim</title>
		<link>http://www.madblog.org/2009/12/the-yaya-group-designs-sets-for-production-of-%e2%80%9cpeter-and-the-wolf%e2%80%9d-at-the-guggenheim/</link>
		<comments>http://www.madblog.org/2009/12/the-yaya-group-designs-sets-for-production-of-%e2%80%9cpeter-and-the-wolf%e2%80%9d-at-the-guggenheim/#comments</comments>
		<pubDate>Mon, 14 Dec 2009 22:03:32 +0000</pubDate>
		<dc:creator>lowery</dc:creator>
				<category><![CDATA[curators]]></category>
		<category><![CDATA[the global africa project]]></category>

		<guid isPermaLink="false">http://www.madblog.org/?p=2311</guid>
		<description><![CDATA[Have you heard of the YA/YAs of New Orleans? No, I don’t mean the “Divine Sisterhood” of movie fame, but the organization (Young Aspirations/ Young Artists) whose mission is to “empower creative young people to become successful adults.” Founded over twenty years ago by Jana Napoli this organization works to give the youth of New Orleans “educational experiences in arts” and encourage “entrepreneurship…by fostering and supporting their ambitions.”]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Heath Ceramics</title>
		<link>http://www.madblog.org/2009/12/heath-ceramics/</link>
		<comments>http://www.madblog.org/2009/12/heath-ceramics/#comments</comments>
		<pubDate>Fri, 11 Dec 2009 21:46:20 +0000</pubDate>
		<dc:creator>JenScan</dc:creator>
				<category><![CDATA[curators]]></category>
		<category><![CDATA[making it real]]></category>

		<guid isPermaLink="false">http://www.madblog.org/?p=2267</guid>
		<description><![CDATA[When we visited San Francisco to do research for this exhibition, a visit to the Heath Ceramics factory in Sausalito was a must. Heath Ceramics was represented with a stoneware saucepot in <em>Craftsmanship in a Changing World</em>, the Museum of Art and Design's  inaugural show (at the time it was called the Museum of Contemporary Crafts).]]></description>
		<wfw:commentRss>http://www.madblog.org/2009/12/heath-ceramics/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<title>Craft in the Service of Worship</title>
		<link>http://www.madblog.org/2009/12/craft-in-the-service-of-worship/</link>
		<comments>http://www.madblog.org/2009/12/craft-in-the-service-of-worship/#comments</comments>
		<pubDate>Fri, 04 Dec 2009 19:34:59 +0000</pubDate>
		<dc:creator>JenScan</dc:creator>
				<category><![CDATA[curators]]></category>
		<category><![CDATA[mad collection]]></category>
		<category><![CDATA[making it real]]></category>

		<guid isPermaLink="false">http://www.madblog.org/?p=2245</guid>
		<description><![CDATA[The church (and by “church” I mean all religious groups) has historically been an important patron of the arts, and we found that this was especially true in the postwar period when many new churches and synagogues were built. So, we are including a section in <em>Making it Real</em> of “Craft in the Service of Worship.” ]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>Like a child at play: Toying with Barbie &amp; Ethnic Motifs</title>
		<link>http://www.madblog.org/2009/12/like-a-child-at-play-toying-with-barbie-ethnic-motifs/</link>
		<comments>http://www.madblog.org/2009/12/like-a-child-at-play-toying-with-barbie-ethnic-motifs/#comments</comments>
		<pubDate>Fri, 04 Dec 2009 19:31:21 +0000</pubDate>
		<dc:creator>Lisa Marie</dc:creator>
				<category><![CDATA[curators]]></category>
		<category><![CDATA[the global africa project]]></category>

		<guid isPermaLink="false">http://www.madblog.org/?p=2201</guid>
		<description><![CDATA[This is not your little cousin Muffie's Barbie - not at all. With his limited-edition figurines for Mattel, Fashion Designer Byron Lars plays around with the legendary plastic style icon,  keeping all the prerequisite Barbie musts intact - pointy 'Barbie' toes, beyond-perfect makeup, posture, and figure - whilst deftly playing around with her overall style dna.]]></description>
		<wfw:commentRss>http://www.madblog.org/2009/12/like-a-child-at-play-toying-with-barbie-ethnic-motifs/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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		<item>
		<title>The Biggest Thing at Modernism+Art20</title>
		<link>http://www.madblog.org/2009/12/the-biggest-thing-at-modernismart20/</link>
		<comments>http://www.madblog.org/2009/12/the-biggest-thing-at-modernismart20/#comments</comments>
		<pubDate>Tue, 01 Dec 2009 19:25:41 +0000</pubDate>
		<dc:creator>Nurit</dc:creator>
				<category><![CDATA[curators]]></category>
		<category><![CDATA[making it real]]></category>

		<guid isPermaLink="false">http://www.madblog.org/?p=2186</guid>
		<description><![CDATA[One of the best parts of being a curator, other than all the curating, is attending really gorgeous art and design fairs for research.  Last month the <a href="http://www.nytimes.com/2009/11/13/arts/design/13modernism.html">Modernism + Art20 </a>fair was on at the Armory on the Upper East Side.  Each of the curators involved in our exhibition went to take a look. ]]></description>
		<wfw:commentRss>http://www.madblog.org/2009/12/the-biggest-thing-at-modernismart20/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Hair is where it&#8217;s at</title>
		<link>http://www.madblog.org/2009/11/hair-is-where-its-at/</link>
		<comments>http://www.madblog.org/2009/11/hair-is-where-its-at/#comments</comments>
		<pubDate>Wed, 18 Nov 2009 20:25:48 +0000</pubDate>
		<dc:creator>Lisa Marie</dc:creator>
				<category><![CDATA[curators]]></category>
		<category><![CDATA[the global africa project]]></category>

		<guid isPermaLink="false">http://www.madblog.org/?p=2089</guid>
		<description><![CDATA[The relationship between Black people and our hair has always been a many layered one.  Awe-inspiring at best - and mind-boggling at worst - the hair as a medium of self-expression can be simultaneously representative and abstract; take a look at American comedian Chris Rock's recent documentary, 'Good Hair', and you'll see what I mean.]]></description>
		<wfw:commentRss>http://www.madblog.org/2009/11/hair-is-where-its-at/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>Choosing Textiles for the Exhibition</title>
		<link>http://www.madblog.org/2009/11/choosing-textiles-for-the-exhibition/</link>
		<comments>http://www.madblog.org/2009/11/choosing-textiles-for-the-exhibition/#comments</comments>
		<pubDate>Sun, 15 Nov 2009 17:06:42 +0000</pubDate>
		<dc:creator>jeannine</dc:creator>
				<category><![CDATA[curators]]></category>
		<category><![CDATA[making it real]]></category>

		<guid isPermaLink="false">http://www.madblog.org/?p=1989</guid>
		<description><![CDATA[Part of my job as exhibition curator is to meet with artists and collectors who may know of important works that may be tucked away -- just waiting for their moment in the curatorial sun. One good way is to give a lecture on the topic to an interested group. So, on November 18th, I will be speaking to the Textile Study Group of New York, a highly respected and very active organization of fiber artists, writers, and conservators. ]]></description>
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		<slash:comments>4</slash:comments>
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